Grotesques

At the end of the 15th century, the underground ruins of Emperor Nero's famous palace were discovered in Rome: the Domus Aurea. The
walls were painted with sumptuous symmetrical decorations teeming with a host of bizarre animals and mythical creatures. This was the
beginning of a new visual language, which was known as 'grotesque' after the site found in 'grotto-like' ruins. Hans Vredeman de Vries
and Cornelis Floris spread the grotesque style with its endless variations through their printed designs. In the 16th century, grotesque
ornaments became popular not only in painting and architecture, but also in glass painting, metalsmithing and book printing. Today we
still link the term 'grotesque' to the capricious, bizarre, monstrous - but also to the caricatural and laughable. Bosch and Bruegel were the
great pioneers of the grotesque in printmaking with their fantastic drolleries. James Ensor, Fred Bervoets, René De Coninck, Carll Cneut
and others are part of a long tradition of artists who were, and still are, inspired by the grotesque: both as a concept and as a figural style.